Another potential pitfall with tripod boom mic stands is the trip hazard they can present on stage, which is why round-based stands are often preferable for gigging. To combat this, some models include counterweights on the rear section of the boom arm to balance the weight of the microphone attached to the other end. Though these stands can be adjusted to almost any position you might need in a live or studio environment, care should be taken not to over-extend the centre of gravity so that the stand topples over with the weight of the mic. The most common type, tripod boom mic stands have three legs at the base and an extendable boom arm sticking out sideways that holds the microphone. This type of stand is good for stage singers, since the small footprint of the base enables you to get up close to the stand without fear of tripping over a leg. The base is usually made of die-cast steel, giving it the necessary weight to hold the central pole steady. The most basic type of microphone stand features a weighted circular base with a single pole rising from its centre, onto which the microphone can be attached via a threaded clip or shockmount. There are various types of mic stand, each of which comes with its own set of benefits: Round base mic stand
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